The Embroiderers' Guild NSW which Filament is a part of has a monthly publication called the "Record". As we take samples of the Record to the exhibition to give away to viewers we make sure there are one or two articles about our exhibition. Here is the article that we hope to get in the November edition as there was not enough space in the October one.
In
the previous Record
the inspiration for the works was discussed - this time lets look at
one of the technique that most of us have used and that is collage.
Merriam Webster dictionary defines collage as: “French, literally,
gluing, from coller
to
glue. Wikipedia states that a collage should be made up of several
different pieces. Although
the term collage was not coined till the early 20th
century the technique has been around for millennia as evidenced by
cavemen
adding grasses to cave painting and when
paper was invented in
China,
around 200 BCE
adding it to scroll paintings, in Victorian times collage methods
were popular for adding memorabilia to photo albums.
In
the early 20th
century Pablo Picasso and Georges Braque pasted photographs,
newspaper cuttings and string onto their painted works. Affiliated
with the Dada art movement Kurt Schwitters omitted the paint and
relied on found papers and objects often from the street to create
his abstractions. Hannah Hoch, also a Dadaist, referenced dress
patterns and textiles in her art.
Later
artists like Mirium Shapiro and Tracey Emin use fabric in their
works. Shapiro pastes her fabrics and interestingly Emin stitches her
confessional works. Shapiro coined the term femmages
when referring to her works. The essay “waste not want not” with
Melissa Meyer is on line:
http://faculty.winthrop.edu/stockk/Contemporary%20Art/Schapiro%20sourcebook.pdf
(Both
Shapiro
and Emin have a work on view at the Art Gallery of NSW). Cas Holmes,
Alice Kettle, Mandy Patullo currently work in this medium and their
books and blogs make very interesting reading. casholmes.blogspot.com
threadandthrift.blogspot.com
http://www.alicekettle.co.uk/
A
fusible web of glue such as Vliesofix or Bond-a-web can be employed
in textile collage. In one case, thanks to a workshop with Cas
Holmes, glue in the form of wall paper paste has been used.
Alternatively stitching by hand or machine has been used with the
stitches being hidden or forming part of the design. The addition of
embroidered figurative, narrative or abstract elements adds
interest. When it comes to the felted works it is the manipulation of
the properties of the wool fibre that holds the different pieces
together.
Thanks for the kind comments
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